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Why 'Black Panther' Is So Important to Marvel's Future

The last Marvel movie before 'Infinity War' may be the most significant.

In less than a month, the Marvel Cinematic Universe will be rocked by Black Panther. Starring Chadwick Boseman and directed by Ryan Coogler, the film is poised to spotlight Marvel's first black superhero in a fully-realized Afrofuturistic world for a worldwide audience. In a time of continued racial strife exasperated by tiresome leaders, the cinematic fantasy of an African hero from an African nation, all in the backdrop of the familiar "MCU," will be oxygen in a suffocating cultural climate.  But even under the roof of Marvel, 

black panthers introduction to comics in fantastic four in 1966 remains both revolutionary and da

which in turn resides underneath the castle ceiling of the Walt Disney kingdom, there's still too much at stake for Black Panther to potentially bomb. That Deadpool in 2016 proved moviegoers are willing to go to movies in February, is comforting. The advance ticket sales, the best in Marvel history, doubly so. But Black Panther's significance is more than about Marvel Studios continuing its hot streak. No pressure, but Earth needs Black Panther to save the world.

In 1990, two years before his death, comics legend Jack Kirby explained why he created Black Panther for Marvel in 1966. Being close to 90 and having lived through very different times, his vocabulary is hard to swallow, but his sentiment shines through. "I came up with the Black Panther because I realized I had no blacks in my strip," he told The Comics Journal. "I had a lot of black readers. My first friend was a black! And here I was ignoring them because I was associating with everybody else."

 Again, guy had dated syntax, but Kirby saw there was something missing in his pop culture and promptly fixed that. For a medium with so many colorful costumes and colorful panels, the characters made by Kirby, Lee, and the rest of Marvel's bullpen were super white. Kirby knew it. So without much fuss, they made T'Challa, the Black Panther, in Fantastic Four #56. T'Challa was/is the warrior-king of Wakanda, an isolated African nation never subject to the indignity of European colonialism. Its people had so much technology, they were practically from the future.

Kirby felt comics needed black heroes. Hollywood, expended of Will Smith's star power, can never have enough of them. And people, consumers of art, deserve to see the full spectrum of colors heroes come in. Last week, President Trump carelessly lumped Haiti — located in the Caribbean — with Africa, which he called a country, and all of it a "shithole." The ignorance, profanity, and racism by Trump isn't just of one sad man, but a voter base who will think their guy is telling it like it is.


lupita nyongo andletitia wrightin marvels black panther

Here's telling it like it is: The world is more complicated, difficult, and beautiful than one insult can describe. And Black Panther's mythology, though fictional, can be an antithesis to thinking that other places in the world where people of color reside are — um, a shithole.

In the early comics, Wakanda existed as a juxtaposition: a perceived savage land with chrome and steel sophistication. That image is worthy of criticism and as good as Kirby's intentions were, it was a very white, colonial American perspective of a fantastical Africa. But fifty years later, it's this misguided-but-earnest formula that's allowed a big budget sci-fi to bring to life warrior women in neck rings and men with lip plates to look as regal as a Westerosi. Science, culture, and diplomacy push Wakanda forward; see T'Challa stand before the U.N. in Ikiré Jones's finest. One can appreciate where early Black Panther comics came from, at the same time acknowledge the black writers who have since taken over — Reginald Hudlin, Roxane Gay, Christopher Priest, Ta-Nehisi Coates, Coogler — and have taken T'Challa places the pioneers couldn't even begin to navigate.

 Black Panther is a movie. It's bound to be entertaining, packed with action and lively characters in an exciting plot. But it matters that the heroes on the screen, whom people will root for, and the world they will bear witness, is uniquely African, imagined by black creators. Marvel has been a pretty white franchise since it began in 2008. Ten years later, the possibilities Black Panther opens up, to the possibility that Marvel's vast roster of minority superheroes can lead their own pop culture revolutions — Pakistani-Muslim Ms. Marvel, Chinese kung fu hero Shang-Chi, queer Latin-American "Miss" America Chavez, oh so many more — can inspire ethnic minority children who have yet to connect to a superhero the way their white classmates have to Steve Rogers, to Tony Stark, to Peter Parker.

It's time. As the rapper-duo Run The Jewels put it in "Legend Has It," the song played in the Black Panther trailer: "Step into the spotlight."

 Black Panther Trailer


Inverse Entertainment 

Will Hollywood Correct Their Message with The Princess Diaries 3?

 It has been confirmed: the script for the third movie of the sequel has been written! Meg Cabot, the author of The Princess Diaries book series, reported to Entertainment Weekly that the script exists. She added that if the movie does get made it would be a tribute to Garry Marshall the director of the first two movies who passed away in 2016. Cabot gave no further details other than that the movie would be slightly different from the book series remarking that she thinks of them as "two different universes."

After Love

After Love

Aug 28 Written by

 The Aftermath of Breakup...

The heart-rending French drama, After Love, by the director and co-writer Joachim Lafosse, brings its audience into a home of Marie (enacted by Berenice Bejo) and Boris (enacted by Cedric Khan) and their two angelic young daughters. The intimately painful familial situation arises from the devoted warmth coming to a halt after 15 years of love. Marie and Boris have separated but continue to live together due to financial problems. The film discusses how two parents unknot the situation while still taking care of each other – neither of them are portrayed as the 'good' or 'bad guy,' but both characters' tenderness is acknowledged, and after all, they do still care about each other and their daughters very much.

The film discusses how two parents unknot the situation while still taking care of each other – neither of them are portrayed as the 'good' or 'bad guy,' but both characters' tenderness is acknowledged, and after all, they do still care about each other and their daughters very much. 

Turkish Drama, The Magnificent Century, Is Now on Netflix

Turkish soap operas are a world-wide phenomenon, but none more so than drama about the life of the Ottoman Empire's most famous sultan, known in the west as Suleyman the Magnificent, who ruled from 1520 to 1566. Titled Muhteşem Yüzyıl, or The Magnificent Century, viewers from Pakistan to Peru, Croatia to China, have tuned in each week to watch the drama, romance, betrayal, and elaborate costumes.

Though the show has been available to watch with English subtitles on YouTube for years, it has never caught on in the United States, beyond a small group of Turkophiles. This might be about to change, however. This month, Netflix added the first season of the Magnificent Century to its streaming service in the United States.

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